The Lair of the Wizard King sits far into the mountains. As the Wizard King plans his next move from the safety of his sanctum, he is protected from almost every direction. The tower is built into the side of a mountain and was once owned by the local dwarves that lived in the region. Once they regroup, they will take back their home and remove the wizard from his stolen home. The story continues later so stay tuned for more.
If you enjoyed this, please check out these other posts.
Snowy peak on a very cold day on top of a mountain overlooks a valley below. Grass pokes its way through the snowy layer that has started to accumulate. The mix of thick and thin snow flies through the air and makes it very hard to see. The mountains in the distance sit back humbly shaping the countryside with a rigid form. What is missing here? A snow man of course.
This piece is the conceptual background for a story that I am going to do about a snowman. I am still working on the story but conceptually, this is part of the journey my snowman character will make. Winter is on its way as the last leaves fall from the trees. Soon the snow will fall and fill up our sidewalks and driveways. Those who live in the forest regions will have their own challenges as well. It is very easy for the snow to cut one off from the rest of the world.
This design was created in Clip Studio Paint and consists of two layers. I used a heavy inking tool to layout the shape of the trees and then used a painterly texture brush to fill in the detail of the branches. I used the airbrush tool for highlights and shadows. This is the fastest way to do this although there are other ways of accomplishing the same thing.
The second layer is of the mountains. I used the painterly brush again and painted in the mountain shapes. I used triangular forms and let them fade off into the distance. The painterly brush can be used to create light and shadow just by changing the direction of your stroke. The last step of this piece was the snow and rain. I used a spatter brush to do the large snow and a rain tool to scrape in the fine windy snow flakes.
If you enjoyed this tutorial, maybe you’ll like the one I did during the fall. I also did an interest autumn piece earlier this year as well. If you liked this, my latest book discusses all of the pieces from 2017 and how I designed them.
I hope you enjoyed this piece. Please let me know what you think! Your comments are important to me.
Pilgrim in the Woods visiting a Thanksgiving Dinner near you.
Pilgrim in the woods is visiting a Thanksgiving dinner near you. Halloween is over but are all the spooks really gone? The ghosts aren’t screeching and the werewolves aren’t yelping but the woods is not empty of danger.
How is it this pilgrim is here and what does he want? It’s been many long years since the Puritans first came to America and shared the first Thanksgiving. Was someone left behind or is this would be wanderer plagued with unfinished business? Time will tell when the truth is finally uncovered. I could write horror stories all year round. My goal this year is to come up with a horror idea that ties in with every major holiday. I don’t know if I will ever write a full story or not but ideas are where more ideas come from. Let me know if you have any special requests out there.
About this Design
I hope you are all enjoying my latest design. Please let me know what you think by commenting on this post or dropping a note through a form.
I used 13 different layers to design this scene. I didn’t start with a pencil sketch. In fact, I clicked on the oil paint tool and went right to work painting out the scene. The scene background was painted with the oil paint flat brush tool. The digital oils provided a nice blending affect to build the background just like playing with Play dough. I alternated shades and used the blending tool as well to get the lighting effect I wanted.
Tips and Tricks
Below are some screenshots of layers that I used. The first one is a 33% opacity layer that I drew the trees on in the distance along with some shrubs. I used a very light brown within the pallet that I was working with. This effect created some of the white noise that comes with designing wooded areas. A G-Pent was all I needed to design the trees. A darker bleed tool brush was used for the shrubs. I like to keep things murky and then pull the details out.
This next section is of just the trees themselves. See how they are on their own layer? I can manipulate the depth of the piece easier this way and control the highlights and shadows without creating digital mud. Using the selection tool helps to keep the overspray from going out of control. I still have a little. Through color discipline practice, it becomes easier to paint in this fashion. The airbrush highlight and shadow tools create nice textures on the tree. I selected where the light was coming from and then I just stayed consistent until I got the trees completed. Additional texture was created by using a darker pencil to enhance the bark.
As I go over each part of the tree, I can slowly pull out the natural texture of the tree along with other minor details such as the roots and growth defects in the tree that make it look more interesting.
I used the ink pen tool to design the Pilgrim and then I sketched out lightly what I wanted and then filled it in. I already knew that I was going to use a silhouette so I didn’t worry about every detail with the character. Extra grass created the mired affect. The woodlands known to be wet.
The Pilgrim Design
I used the polygon line tool to detail the parts of his outfit that I felt viewers would need to see to understand he is a pilgrim. I used Google to find a some good ideas for what I wanted the pilgrim to look like. Again, not a lot of serious detail required. Using my G-Pen with white pigment, I colored in some wrinkles and added some buttons. If I did my job well enough, you can tell that it’s a pilgrim.
Some additional details I added were the sun beams shining through. The line tool is awesome to get this detail. I changed the opacity on the beams so they look more transparent and played around with the color. True yellow just wasn’t covering it.
I designed the bridge with just blocks of grey matter that I blended together. I used references for this too because I just couldn’t picture the bridge the way I wanted in my head alone.
That is all for tonight. If I left some things out that you may want to know more of, please ask. I am always happy to help everyone out. Also check out my book. You can find it here. Amazon Prime holders can get it for free. It is available in hard copy and E-book format. The book has a lot of these types of tutorials designed to help you come up with design ideas.