Tonight I experimented with some of Clip Studio Paint’s animation capability. With a little trial and error, I was able to make the haunted look of this design even more frightening by adding some willow O’ wisps, rain effects and a soft fiery glow to the pumpkin’s eyes.
If I haven’t said it before, I’ll say it again. Fall is one of my favorite times of the year…and not just because of Halloween. I enjoy the color changes in the leaves and the smell of the air as neighbors burn them (only where it is legal of course).
Hope you enjoy this .GIF. Let me know your thoughts about this or anything else you see on my website. If you have questions, please ask. I love to help!
Spirit Fallsis my latest concept piece that I have developed tonight for your viewing enjoyment. What do you see moving through the waterfall? Ghosts? Spirits? Magical energy? These all are components for the theme that I followed so you are all correct.
This piece took me four hours to put together from start to finish. As usual, I started with a saved template that I use to build my digital artwork. It is a grey matted “paper” that I use for all of my images. I find that it is much easier on the eyes than when I start with all white. My screen tends to get a bit bright as well so the grey background helps a lot…also nice for helping me to measure my highlights and shadows. The template I use is 2894 × 2039 pixels.
I found a generic photo of a waterfall that I embedded into the piece and then blurred over a dark lavender fill. I blew it up to twice it’s size so that only the texture of the water shows through. I then removed just the fill that I needed so that the waterfall would show through. This manipulation of generic photos saved me some time.
I created a new layer and penciled in the warrior. I drew him much larger so that I could get the pose the way I wanted. As a side note, I don’t use any programs like poser or anything else that would generate a 3D model. This will probably change in the future as I do like to save time. I think the freehand pose gives it more freedom of movement.
I then used an ink wash to color the body and clothing. I can blend and build color very fast with the inking tool. I have always loved ink both digital and contemporary. Using my air brush tool, I placed shadows, highlights, and details in the skin where I thought it was necessary.
After all this was complete, I then shrunk the figure down and placed him in the foreground. With a little blending I was able to make him part of his surroundings…especially the ground.
Lastly I added one more layer for the ghostly movements you see starting up top and moving toward the bottom left…..or do they start bottom left and move up? Due to the lack of signs to tell them otherwise, I’m sure the spirits made up their own minds.